{"id":2511,"date":"2024-11-07T17:21:23","date_gmt":"2024-11-07T15:21:23","guid":{"rendered":"https:\/\/cult.uth.gr\/?page_id=2511"},"modified":"2025-03-18T10:56:33","modified_gmt":"2025-03-18T08:56:33","slug":"fundamentals-of-cinematography","status":"publish","type":"page","link":"https:\/\/cult.uth.gr\/en\/course\/fundamentals-of-cinematography\/","title":{"rendered":"Fundamentals of Cinematography"},"content":{"rendered":"<p>Code: \u0395\u03a0 647<\/p>\n<p>Semester: 6, 8<\/p>\n<p>ECTS: 6<\/p>\n<p>Course Instructor: <a href=\"https:\/\/cult.uth.gr\/en\/person\/apostolos-kordas\/\">Apostolos Kordas<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4>COURSE DESCRIPTION<\/h4>\n<p>The course seeks to develop design processes and techniques in the design and development of audiovisual \u2013 non-interactive projects. Emphasis is placed on the use of audiovisual language, which, like any other language, requires both the knowledge of decoding and message production.<\/p>\n<p>Based on the above finding, knowledge of both audio-visual \u201creading\u201d and audiovisual \u201cwriting\u201d becomes necessary, both as a way of communication and as a way of expression.<\/p>\n<p>During the Semester, the basic principles and techniques of Cinematography, the distinction of the various categories of directing according to style, technique and the type of audiovisual narration are reported and analyzed. Screenings of films, in their entirety or excerpts, followed by critical analysis, discussion and small practical exercises (turning a story into a script, decoupage exercise, storyboard exercise, editing, etc.) are carried out. Finally, the students prepare the \u201cFinal Project\u201d in groups of 3-5 people by \u201cshooting\u201d a simple film which they plan and carry out in all its production stages (script, decoupage, editing, etc.).<\/p>\n<p>&nbsp;<\/p>\n<h4>SUGGESTED BIBLIOGRAPHY<\/h4>\n<ul>\n<li>Arijon<em>, \u0397 \u03b3\u03c1\u03b1\u03bc\u03bc\u03b1\u03c4\u03b9\u03ba\u03ae \u03c4\u03b7\u03c2 \u03c6\u03b9\u03bb\u03bc\u03b9\u03ba\u03ae\u03c2 \u03b3\u03bb\u03ce\u03c3\u03c3\u03b1\u03c2 \u0399&amp;\u0399\u0399,<\/em>\u00a0\u03bc\u03c4\u03c6\u03c1. \u0392\u03b1\u03c3\u03af\u03bb\u03b7\u03c2 \u0392\u03bf\u03c5\u03c4\u03c3\u03b9\u03bd\u03ac\u03c2, \u03b5\u03ba\u03b4. Plano 1986.<\/li>\n<li>Bazin, A.\u00a0<em>\u03a4\u03b9 \u03b5\u03af\u03bd\u03b1\u03b9 \u03bf \u03ba\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf\u03c2. \u03a4\u03cc\u03bc\u03bf\u03c2 \u0399.<\/em>\u00a0\u039c\u03c4\u03c6. \u039a\u03ce\u03c3\u03c4\u03b1\u03c2 \u03a3\u03c6\u03ae\u03ba\u03b1\u03c2. \u0391\u03b8\u03ae\u03bd\u03b1, \u0395\u03ba\u03b4. \u0391\u03b9\u03b3\u03cc\u03ba\u03b5\u03c1\u03c9\u03c2, \u0391\u03b8\u03ae\u03bd\u03b1 1989.<\/li>\n<li>Bergman,\u00a0<em>H \u03bc\u03b1\u03b3\u03b9\u03ba\u03ae \u03ba\u03ac\u03bc\u03b5\u03c1\u03b1,<\/em>\u00a0\u03bc\u03c4\u03c6\u03c1. \u0398\u03cc\u03b4\u03c9\u03c1\u03bf\u03c2 \u039a\u03b1\u03bb\u03b9\u03c6\u03b1\u03c4\u03af\u03b4\u03b7\u03c2, \u03b5\u03ba\u03b4. \u039a\u03ac\u03ba\u03c4\u03bf\u03c2 1989.<\/li>\n<li>Bordwell D., Thompson K.,\u00a0<em>\u0395\u03b9\u03c3\u03b1\u03b3\u03c9\u03b3\u03ae \u03c3\u03c4\u03b7\u03bd \u03a4\u03ad\u03c7\u03bd\u03b7 \u03c4\u03bf\u03c5 \u039a\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf\u03c5<\/em>, \u0395\u03ba\u03b4. \u03a0\u03bf\u03bb\u03b9\u03c4\u03b5\u03af\u03b1, \u0391\u03b8\u03ae\u03bd\u03b1 2011.<\/li>\n<li>Brown \u0392.,\u00a0<em>Cinematography theory and practice for cinematographers and directors,<\/em>\u00a04rd Edition, \u0395\u03ba\u03b4. Routledge, New York 2021.<\/li>\n<li>\u0393\u03ba\u03bf\u03bd\u03c4\u03ac\u03c1 \u0396. \u039b.,\u00a0<em>\u03a4\u03cc\u03bc\u03bf\u03c2 \u0391. \u0396\u03b1\u03bd \u039b\u03c5\u03ba, \u039a\u03b5\u03af\u03bc\u03b5\u03bd\u03b1 \u03ba\u03b1\u03b9 \u03c3\u03c5\u03bd\u03b5\u03bd\u03c4\u03b5\u03cd\u03be\u03b5\u03b9\u03c2<\/em>, \u039c\u03c4\u03c6\u03c1. \u039c\u03ac\u03c1\u03b9\u03bf\u03c2 \u039c\u03c9\u03c5\u03c3\u03af\u03b4\u03b7\u03c2, \u03a3\u03ce\u03c4\u03b7 \u03a4\u03c1\u03b9\u03b1\u03bd\u03c4\u03b1\u03c6\u03cd\u03bb\u03bb\u03bf\u03c5, \u03b5\u03c0\u03b9\u03bc \u03bc\u03c4\u03c6\u03c1 \u039c\u03c0\u03ac\u03bc\u03c0\u03b7\u03c2 \u0391\u03ba\u03c4\u03c3\u03cc\u03b3\u03bb\u03bf\u03c5, \u03a7\u03c1\u03c5\u03c3\u03ac\u03bd\u03b8\u03b7 \u03a0\u03b1\u03c0\u03b1\u03bb\u03ac, \u03b5\u03ba\u03b4 \u0391\u03b9\u03b3\u03cc\u03ba\u03b5\u03c1\u03c9\u03c2 1988.<\/li>\n<li>Chion,\u00a0<em>\u039f \u03ae\u03c7\u03bf\u03c2 \u03c3\u03c4\u03bf\u03bd \u03ba\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf<\/em>, \u03a0\u03b1\u03c4\u03ac\u03ba\u03b7\u03c2, \u0391\u03b8\u03ae\u03bd\u03b1, 2010<\/li>\n<li>.Guerin A.,\u00a0<em>\u0397 \u03b1\u03c6\u03ae\u03b3\u03b7\u03c3\u03b7 \u03c3\u03c4\u03bf\u03bd \u03ba\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf<\/em>, \u03c5\u03c0\u03b5\u03cd\u03b8\u03c5\u03bd\u03b7 \u03c3\u03b5\u03b9\u03c1\u03ac\u03c2 \u0395\u03cd\u03b1 \u03a3\u03c4\u03b5\u03c6\u03b1\u03bd\u03ae, \u03bc\u03c4\u03c6\u03c1. \u0394\u03ce\u03c1\u03b1 \u0398\u03c5\u03bc\u03b9\u03bf\u03c0\u03bf\u03cd\u03bb\u03bf\u03c5, \u03b5\u03ba\u03b4. \u03a0\u03b1\u03c4\u03ac\u03ba\u03b7 2003.<\/li>\n<li>\u039a\u03b1\u03c1\u03b1\u03ba\u03ac\u03c3\u03b7\u03c2, \u0391., \u0393\u03bf\u03cd\u03c3\u03b9\u03bf\u03c2, \u03a7., \u039a\u03b5\u03c6\u03ac\u03bb\u03b1\u03c2, \u039a. (2015). \u0395\u03c6\u03cc\u03b4\u03b9\u03bf \u03b3\u03b9\u03b1 \u03bd\u03ad\u03bf\u03c5\u03c2 \u03bd\u03c4\u03bf\u03ba\u03b9\u03bc\u03b1\u03bd\u03c4\u03b5\u03c1\u03af\u03c3\u03c4\u03b5\u03c2. [\u03b7\u03bb\u03b5\u03ba\u03c4\u03c1. \u03b2\u03b9\u03b2\u03bb.] \u0391\u03b8\u03ae\u03bd\u03b1: \u03a3\u03cd\u03bd\u03b4\u03b5\u03c3\u03bc\u03bf\u03c2 \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ce\u03bd \u0391\u03ba\u03b1\u03b4\u03b7\u03bc\u03b1\u03ca\u03ba\u03ce\u03bd \u0392\u03b9\u03b2\u03bb\u03b9\u03bf\u03b8\u03b7\u03ba\u03ce\u03bd. \u0394\u03b9\u03b1\u03b8\u03ad\u03c3\u03b9\u03bc\u03bf \u03c3\u03c4\u03bf:\u00a0<a href=\"http:\/\/hdl.handle.net\/11419\/3870\">http:\/\/hdl.handle.net\/11419\/3870<\/a><\/li>\n<li>\u039a\u03c5\u03c1\u03b9\u03b1\u03ba\u03bf\u03c5\u03bb\u03ac\u03ba\u03bf\u03c2, \u03a0., \u039a\u03b1\u03bb\u03b1\u03bc\u03c0\u03ac\u03ba\u03b1\u03c2, \u0395., (2015). \u0397 \u03bf\u03c0\u03c4\u03b9\u03ba\u03bf\u03b1\u03ba\u03bf\u03c5\u03c3\u03c4\u03b9\u03ba\u03ae \u03ba\u03b1\u03c4\u03b1\u03c3\u03ba\u03b5\u03c5\u03ae. [\u03b7\u03bb\u03b5\u03ba\u03c4\u03c1. \u03b2\u03b9\u03b2\u03bb.] \u0391\u03b8\u03ae\u03bd\u03b1: \u03a3\u03cd\u03bd\u03b4\u03b5\u03c3\u03bc\u03bf\u03c2 \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ce\u03bd \u0391\u03ba\u03b1\u03b4\u03b7\u03bc\u03b1\u03ca\u03ba\u03ce\u03bd \u0392\u03b9\u03b2\u03bb\u03b9\u03bf\u03b8\u03b7\u03ba\u03ce\u03bd. \u0394\u03b9\u03b1\u03b8\u03ad\u03c3\u03b9\u03bc\u03bf \u03c3\u03c4\u03bf:\u00a0<a href=\"http:\/\/hdl.handle.net\/11419\/5709\">http:\/\/hdl.handle.net\/11419\/5709<\/a>.<\/li>\n<li>\u039a\u03c5\u03c1\u03b9\u03b1\u03ba\u03bf\u03c5\u03bb\u03ac\u03ba\u03bf\u03c2, \u03a0. (2016). \u03a0\u03bb\u03b7\u03c1\u03bf\u03c6\u03bf\u03c1\u03b9\u03ba\u03ae \u039a\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1. [\u03b7\u03bb\u03b5\u03ba\u03c4\u03c1. \u03b2\u03b9\u03b2\u03bb.] \u0391\u03b8\u03ae\u03bd\u03b1:\u03a3\u03cd\u03bd\u03b4\u03b5\u03c3\u03bc\u03bf\u03c2 \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ce\u03bd \u0391\u03ba\u03b1\u03b4\u03b7\u03bc\u03b1\u03ca\u03ba\u03ce\u03bd \u0392\u03b9\u03b2\u03bb\u03b9\u03bf\u03b8\u03b7\u03ba\u03ce\u03bd. \u0394\u03b9\u03b1\u03b8\u03ad\u03c3\u03b9\u03bc\u03bf \u03c3\u03c4\u03bf:\u00a0<a href=\"http:\/\/hdl.handle.net\/11419\/6370\">http:\/\/hdl.handle.net\/11419\/6370<\/a>.<\/li>\n<li>\u039a\u03bf\u03c5\u03c1\u03bf\u03c3\u03ac\u03b2\u03b1 \u0391.,\u00a0<em>\u039a\u03ac\u03c4\u03b9 \u03c3\u03b1\u03bd \u03b1\u03c5\u03c4\u03bf\u03b2\u03b9\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1,<\/em>\u00a0\u039c\u03c4\u03c6\u03c1. \u039c\u03c9\u03c1\u03b1\u03ca\u03c4\u03b7\u03c2 \u039c\u03ac\u03ba\u03b7\u03c2, \u03b5\u03ba\u03b4. \u0391\u03b9\u03b3\u03cc\u03ba\u03b5\u03c1\u03c9\u03c2 1990.<\/li>\n<li>Lewis J.,\u00a0<em>\u03a4\u03b1 \u03b5\u03ba\u03c6\u03c1\u03b1\u03c3\u03c4\u03b9\u03ba\u03ac \u03bc\u03ad\u03c3\u03b1 \u03c4\u03bf\u03c5 \u03ba\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf\u03c5<\/em>, \u03bc\u03c4\u03c6\u03c1. \u03a3\u03c4\u03b5\u03c6\u03b1\u03bd\u03af\u03b1 \u03a1\u03bf\u03c5\u03bc\u03c0\u03ae, \u03b5\u03ba\u03b4. \u039a\u03b1\u03b8\u03c1\u03ad\u03c6\u03c4\u03b7\u03c2 2006<\/li>\n<li>Landau C., White T.,\u00a0<em>161 \u039c\u03c5\u03c3\u03c4\u03b9\u03ba\u03ac \u03b3\u03b9\u03b1 \u03ad\u03bd\u03b1 \u03bd\u03ad\u03bf \u03ba\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03c3\u03c4\u03ae<\/em>, \u03bc\u03c4\u03c6\u03c1. \u039a\u03b1\u03c4\u03b5\u03c1\u03af\u03bd\u03b1 \u039a\u03b1\u03ba\u03bb\u03b1\u03bc\u03ac\u03bd\u03b7, \u03b5\u03ba\u03b4. \u03a0\u03b1\u03c4\u03ac\u03ba\u03b7 2008.<\/li>\n<li>Lynch,\u00a0<em>\u039a\u03c5\u03bd\u03b7\u03b3\u03ce\u03bd\u03c4\u03b1\u03c2 \u03c4\u03bf \u03bc\u03b5\u03b3\u03ac\u03bb\u03bf \u03c8\u03ac\u03c1\u03b9<\/em>, \u03bc\u03c4\u03c6\u03c1. \u03a0\u03ac\u03bd\u03c4\u03c3\u03b9\u03bf\u03c2 \u0393\u03b9\u03ce\u03c1\u03b3, \u03c5\u03c0\u03b5\u03c5\u03b8. \u03b5\u03ba\u03b4. \u0395\u03cd\u03b1 \u03a3\u03c4\u03b5\u03c6\u03b1\u03bd\u03ae, \u03b5\u03ba\u03b4. \u03a0\u03b1\u03c4\u03ac\u03ba\u03b7.<\/li>\n<li>M\u03b1\u03c1\u03c4\u03ad\u03bd \u039c., H \u0393\u03bb\u03ce\u03c3\u03c3\u03b1 \u03c4\u03bf\u03c5 K\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf\u03c5, \u039a\u03ac\u03bb\u03b2\u03bf\u03c2, \u0391\u03b8\u03ae\u03bd\u03b1 1984.<\/li>\n<li>\u039c\u03c0\u03bf\u03c5\u03bd\u03b9\u03bf\u03c5\u03ad\u03bb \u039b.,\u00a0<em>\u0397 \u03c4\u03b5\u03bb\u03b5\u03c5\u03c4\u03b1\u03af\u03b1 \u03c0\u03bd\u03bf\u03ae<\/em>, \u03bc\u03c4\u03c6\u03c1. \u039c. \u039c\u03c0\u03b1\u03bb\u03ac\u03c3\u03ba\u03b1, \u03b5\u03ba\u03b4. \u039f\u03b4\u03c5\u03c3\u03c3\u03ad\u03b1\u03c2, 1984.<\/li>\n<li>McKee,\u00a0<em>\u03a4\u03bf \u03c3\u03b5\u03bd\u03ac\u03c1\u03b9\u03bf, \u03bf\u03c5\u03c3\u03af\u03b1, \u03b4\u03bf\u03bc\u03ae, \u03cd\u03c6\u03bf\u03c2 \u03ba\u03b1\u03b9 \u03b2\u03b1\u03c3\u03b9\u03ba\u03ad\u03c2 \u03b1\u03c1\u03c7\u03ad\u03c2,<\/em>\u00a0\u03bc\u03c4\u03c6\u03c1. \u0391\u03bd\u03c4. \u039a\u03b1\u03bb\u03bf\u03ba\u03cd\u03c1\u03b7\u03c2, \u03c5\u03c0\u03b5\u03cd\u03b8. \u03c3\u03b5\u03b9\u03c1\u03ac\u03c2 \u0395\u03cd\u03b1 \u03a3\u03c4\u03b5\u03c6\u03b1\u03bd\u03ae, \u03b5\u03ba\u03b4. \u03a0\u03b1\u03c4\u03ac\u03ba\u03b7.<\/li>\n<li>Proferes, N.,\u00a0<em>Film Directing Fundamentals,<\/em>\u00a0\u0395\u03ba\u03b4. Focal Press 3rd ed. (2008)<\/li>\n<li>Perree R.,\u00a0<em>\u00ab\u0395\u03b9\u03c3\u03b1\u03b3\u03c9\u03b3\u03ae \u03c3\u03c4\u03b7\u03bd \u0392\u03b9\u03bd\u03c4\u03b5\u03bf\u03c4\u03ad\u03c7\u03bd\u03b7\u00bb<\/em>\u00a0\u0395\u03ba\u03b4. \u0391\u03b9\u03b3\u03cc\u03ba\u03b5\u03c1\u03c9\u03c2,\u0391\u03b8\u03ae\u03bd\u03b1 1994.<\/li>\n<li>Rees A. L.,\u00a0<em>A History of Experimental Film and Video<\/em>, \u0395\u03ba\u03b4. British Film Inst. (1999).<\/li>\n<li>\u03a3\u03b1\u03bd\u03c4\u03bf\u03c1\u03b9\u03bd\u03b1\u03af\u03bf\u03c2, \u039c., \u0396\u03ce\u03b7, \u03a3., \u0394\u03b7\u03bc\u03b7\u03c4\u03c1\u03b9\u03ac\u03b4\u03b7, \u039d., \u0394\u03b9\u03b1\u03bc\u03b1\u03bd\u03c4\u03cc\u03c0\u03bf\u03c5\u03bb\u03bf\u03c2, \u03a4., \u039c\u03c0\u03b1\u03c1\u03b4\u03ac\u03ba\u03bf\u03c2, \u0393., 2015.\u00a0<em>\u0391\u03c0\u03cc \u03c4\u03b9\u03c2 \u03c3\u03cd\u03bd\u03b8\u03b5\u03c4\u03b5\u03c2 \u03c4\u03ad\u03c7\u03bd\u03b5\u03c2 \u03c3\u03c4\u03b1 \u03c5\u03c0\u03b5\u03c1\u03bc\u03ad\u03c3\u03b1 \u03ba\u03b1\u03b9 \u03c4\u03bf\u03c5\u03c2 \u03bd\u03ad\u03bf\u03c5\u03c2 \u03b5\u03b9\u03ba\u03bf\u03bd\u03b9\u03ba\u03bf\u03cd\u03c2-\u03b4\u03c5\u03bd\u03b7\u03c4\u03b9\u03ba\u03bf\u03cd\u03c2 \u03c7\u03ce\u03c1\u03bf\u03c5\u03c2. \u0388\u03bd\u03b1 \u03b5\u03b3\u03c7\u03b5\u03b9\u03c1\u03af\u03b4\u03b9\u03bf \u03b3\u03b9\u03b1 \u03c4\u03bf\u03bd \u03ba\u03b1\u03bb\u03bb\u03b9\u03c4\u03ad\u03c7\u03bd\u03b7 \u03c0\u03bf\u03c5 \u03b1\u03c3\u03c7\u03bf\u03bb\u03b5\u03af\u03c4\u03b1\u03b9 \u03bc\u03b5 \u03c4\u03b7\u03bd \u03c8\u03b7\u03c6\u03b9\u03b1\u03ba\u03ae \u03c4\u03ad\u03c7\u03bd\u03b7..<\/em>\u00a0[\u03b7\u03bb\u03b5\u03ba\u03c4\u03c1. \u03b2\u03b9\u03b2\u03bb.] \u0391\u03b8\u03ae\u03bd\u03b1: \u03a3\u03cd\u03bd\u03b4\u03b5\u03c3\u03bc\u03bf\u03c2 \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ce\u03bd \u0391\u03ba\u03b1\u03b4\u03b7\u03bc\u03b1\u03ca\u03ba\u03ce\u03bd \u0392\u03b9\u03b2\u03bb\u03b9\u03bf\u03b8\u03b7\u03ba\u03ce\u03bd. \u0394\u03b9\u03b1\u03b8\u03ad\u03c3\u03b9\u03bc\u03bf \u03c3\u03c4\u03bf:\u00a0<a href=\"http:\/\/hdl.handle.net\/11419\/6076\">http:\/\/hdl.handle.net\/11419\/6076<\/a><\/li>\n<li>\u03a3\u03ba\u03bf\u03c0\u03b5\u03c4\u03ad\u03b1\u03c2, \u0399. (2015).\u00a0<em>\u0397 \u03b4\u03b7\u03bc\u03b9\u03bf\u03c5\u03c1\u03b3\u03af\u03b1 \u03c4\u03b7\u03c2 \u03bc\u03c5\u03b8\u03bf\u03c0\u03bb\u03b1\u03c3\u03c4\u03b9\u03ba\u03ae\u03c2 \u03b1\u03c6\u03ae\u03b3\u03b7\u03c3\u03b7\u03c2 \u03ba\u03b1\u03b9 \u03c4\u03b1 \u03b5\u03af\u03b4\u03b7 \u03c4\u03c9\u03bd \u03ba\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u03ce\u03bd \u03c4\u03b1\u03b9\u03bd\u03b9\u03ce\u03bd<\/em>. [\u03b7\u03bb\u03b5\u03ba\u03c4\u03c1. \u03b2\u03b9\u03b2\u03bb.] \u0391\u03b8\u03ae\u03bd\u03b1: \u03a3\u03cd\u03bd\u03b4\u03b5\u03c3\u03bc\u03bf\u03c2 \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ce\u03bd \u0391\u03ba\u03b1\u03b4\u03b7\u03bc\u03b1\u03ca\u03ba\u03ce\u03bd \u0392\u03b9\u03b2\u03bb\u03b9\u03bf\u03b8\u03b7\u03ba\u03ce\u03bd. \u0394\u03b9\u03b1\u03b8\u03ad\u03c3\u03b9\u03bc\u03bf \u03c3\u03c4\u03bf:\u00a0<a href=\"http:\/\/hdl.handle.net\/11419\/5729\">http:\/\/hdl.handle.net\/11419\/5729<\/a><\/li>\n<li>\u03a3\u03c4\u03b1\u03bd\u03b9\u03c3\u03bb\u03ac\u03c6\u03c3\u03ba\u03b9 \u039a.,\u00a0<em>\u0397 \u03b4\u03bf\u03c5\u03bb\u03b5\u03b9\u03ac \u03c4\u03bf\u03c5 \u03b7\u03b8\u03bf\u03c0\u03bf\u03b9\u03bf\u03cd \u03bc\u03b5 \u03c4\u03bf\u03bd \u03b5\u03b1\u03c5\u03c4\u03cc \u03c4\u03bf\u03c5. 1. \u03a4\u03bf \u03b2\u03af\u03c9\u03bc\u03b1<\/em>, \u03bc\u03c4\u03c6. \u0392\u03af\u03ba\u03c5 \u039b\u03b9\u03b1\u03ba\u03bf\u03c0\u03bf\u03cd\u03bb\u03bf\u03c5, \u03b5\u03ba\u03b4. \u03a0\u03bb\u03ad\u03b8\u03c1\u03bf\u03bd 2016, \u039a\u03c9\u03b4\u03b9\u03ba\u03cc\u03c2 \u03b2\u03b9\u03b2\u03bb\u03af\u03bf\u03c5 \u03c3\u03c4\u03bf\u03bd \u0395\u03cd\u03b4\u03bf\u03be\u03bf: 33156208<\/li>\n<li>\u03a3\u03c4\u03b1\u03bd\u03b9\u03c3\u03bb\u03ac\u03c6\u03c3\u03ba\u03b9 \u039a.,\u00a0<em>\u0397 \u03b4\u03bf\u03c5\u03bb\u03b5\u03b9\u03ac \u03c4\u03bf\u03c5 \u03b7\u03b8\u03bf\u03c0\u03bf\u03b9\u03bf\u03cd \u03bc\u03b5 \u03c4\u03bf\u03bd \u03b5\u03b1\u03c5\u03c4\u03cc \u03c4\u03bf\u03c5. 2. \u0397 \u03b5\u03bd\u03c3\u03ac\u03c1\u03ba\u03c9\u03c3\u03b7<\/em>, \u03bc\u03c4\u03c6. \u03a7\u03c1\u03b9\u03c3\u03c4\u03b9\u03ac\u03bd\u03b1 \u039c\u03c5\u03b3\u03b4\u03ac\u03bb\u03b7, \u0392\u03b1\u03c3\u03af\u03bb\u03b7\u03c2 \u039d\u03c4\u03b6\u03bf\u03cd\u03bd\u03b7\u03c2, \u03b5\u03ba\u03b4. \u03a0\u03bb\u03ad\u03b8\u03c1\u03bf\u03bd 2016, \u039a\u03c9\u03b4\u03b9\u03ba\u03cc\u03c2 \u03b2\u03b9\u03b2\u03bb\u03af\u03bf\u03c5 \u03c3\u03c4\u03bf\u03bd \u0395\u03cd\u03b4\u03bf\u03be\u03bf: 33156212<\/li>\n<li>\u03a3\u03c4\u03b5\u03c6\u03b1\u03bd\u03ae \u0395.,\u00a0<em>\u039d\u03c4\u03bf\u03ba\u03b9\u03bc\u03b1\u03bd\u03c4\u03ad\u03c1: \u03a4\u03bf \u03c0\u03b1\u03b9\u03c7\u03bd\u03af\u03b4\u03b9 \u03c4\u03b7\u03c2 \u03c0\u03b1\u03c1\u03b1\u03c4\u03ae\u03c1\u03b7\u03c3\u03b7\u03c2<\/em>, \u03b5\u03ba\u03b4. \u03a0\u03b1\u03c4\u03ac\u03ba\u03b7, \u0391\u03b8\u03ae\u03bd\u03b1 2017.<\/li>\n<li>\u03a3\u03c5\u03bb\u03bb\u03bf\u03b3\u03b9\u03ba\u03cc \u03ad\u03c1\u03b3\u03bf.\u00a0<em>\u0397 \u03c0\u03bf\u03bb\u03b9\u03c4\u03b9\u03ba\u03ae \u03c4\u03c9\u03bd \u03b4\u03b7\u03bc\u03b9\u03bf\u03c5\u03c1\u03b3\u03ce\u03bd<\/em>, \u03bc\u03c4\u03c6\u03c1. \u039c\u03b1\u03c1\u03af\u03b1 \u039c\u03c0\u03b1\u03bb\u03ac\u03c3\u03ba\u03b1, \u03b5\u03ba\u03b4. \u0391\u03bb\u03b5\u03be\u03ac\u03bd\u03b4\u03c1\u03b5\u03b9\u03b1 1989.<\/li>\n<li>\u03a3\u03c5\u03bb\u03bb\u03bf\u03b3\u03b9\u03ba\u03cc \u03ad\u03c1\u03b3\u03bf,\u00a0<em>\u039c\u03b5 \u03c4\u03bf \u03b2\u03bb\u03ad\u03bc\u03bc\u03b1 \u03c4\u03bf\u03c5 \u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03ad\u03c4\u03b7<\/em>, \u03c3\u03cd\u03bd\u03c4\u03b1\u03be\u03b7 \u2013 \u03bc\u03c4\u03c6\u03c1. \u039c\u03ac\u03ba\u03b7\u03c2 \u039c\u03c9\u03c1\u03b1\u03ca\u03c4\u03b7\u03c2, \u03b5\u03ba\u03b4. \u039a\u03b1\u03b8\u03c1\u03ad\u03c6\u03c4\u03b7\u03c2 2007.<\/li>\n<li>Siety E.,\u00a0<em>\u03a4\u03bf \u03c0\u03bb\u03ac\u03bd\u03bf<\/em>, \u03bc\u03c4\u03c6\u03c1. \u03a3\u03c9\u03c4\u03ae\u03c1\u03b7\u03c2 \u039a\u03b1\u03c1\u03ba\u03b1\u03bd\u03b9\u03ac\u03c2, \u03b5\u03ba\u03b4. \u03a0\u03b1\u03c4\u03ac\u03ba\u03b7 2003.<\/li>\n<li>Strauss F., Hueta A.,\u00a0<em>\u0397 \u03ba\u03b1\u03c4\u03b1\u03c3\u03ba\u03b5\u03c5\u03ae \u03bc\u03b9\u03b1\u03c2 \u03c4\u03b1\u03b9\u03bd\u03af\u03b1\u03c2<\/em>, \u03c5\u03c0\u03b5\u03cd\u03b8\u03c5\u03bd\u03b7 \u03c3\u03b5\u03b9\u03c1\u03ac\u03c2 \u0395\u03cd\u03b1 \u03a3\u03c4\u03b5\u03c6\u03b1\u03bd\u03ae, \u03bc\u03c4\u03c6\u03c1. \u039c\u03b1\u03c1\u03af\u03b1 \u0393\u03b1\u03b2\u03b1\u03bb\u03ac, \u03b5\u03ba\u03b4. \u03a0\u03b1\u03c4\u03ac\u03ba\u03b7 2007<\/li>\n<li>\u03a4\u03b1\u03c1\u03ba\u03cc\u03c6\u03c3\u03ba\u03b9 \u0391., \u03a3\u03bc\u03b9\u03bb\u03b5\u03cd\u03bf\u03bd\u03c4\u03b1\u03c2 \u03c4\u03bf \u03a7\u03c1\u03cc\u03bd\u03bf, \u03bc\u03c4\u03c6\u03c1. \u03a3. \u0392\u03b5\u03bb\u03ad\u03bd\u03c4\u03b6\u03b1\u03c2, \u039d\u03b5\u03c6\u03ad\u03bb\u03b7, \u0391\u03b8\u03ae\u03bd\u03b1, 1987.<\/li>\n<li>Tirard L.,\u00a0<em>Master Class. \u039c\u03b1\u03b8\u03ae\u03bc\u03b1\u03c4\u03b1 \u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1\u03c2 \u03b1\u03c0\u03cc \u03c4\u03bf\u03c5\u03c2 \u03c3\u03b7\u03bc\u03b1\u03bd\u03c4\u03b9\u03ba\u03cc\u03c4\u03b5\u03c1\u03bf\u03c5\u03c2 \u03c3\u03cd\u03b3\u03c7\u03c1\u03bf\u03bd\u03bf\u03c5\u03c2 \u03ba\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03c3\u03c4\u03ad\u03c2,<\/em>\u00a0\u0395\u03c0\u03b9\u03bc\u03ad\u03bb\u03b5\u03b9\u03b1 \u0395\u03cd\u03b1 \u03a3\u03c4\u03b5\u03c6\u03b1\u03bd\u03ae, \u039c\u03c4\u03c6\u03c1. \u0391\u03bb\u03ba\u03c5\u03cc\u03bd\u03b7 \u03a4\u03c3\u03ad\u03b3\u03ba\u03bf\u03c5, \u03b5\u03ba\u03b4. \u03a0\u03b1\u03c4\u03c4\u03ac\u03ba\u03b7 2009.<\/li>\n<li>\u03a6\u03b5\u03bb\u03af\u03bd\u03b9 \u03a6.,\u00a0<em>\u039f \u03a6\u03b5\u03bb\u03af\u03bd\u03b9 \u03b3\u03b9\u03b1 \u03c4\u03bf\u03bd \u03a6\u03b5\u03bb\u03af\u03bd\u03b9<\/em>, \u03bc\u03c4\u03c6\u03c1. \u039a\u03b1\u03c1\u03b1\u03ca\u03c3\u03ba\u03ac\u03ba\u03b7 \u03a4\u03b1\u03c3\u03bf\u03cd\u03bb\u03b1, \u03b5\u03ba\u03b4. \u039f\u03b4\u03c5\u03c3\u03c3\u03ad\u03b1\u03c2 1982.<\/li>\n<\/ul>\n<p><strong>Journals<\/strong><\/p>\n<ul>\n<li>The American Society of Cinematographers:\u00a0<a href=\"https:\/\/theasc.com\/\">https:\/\/theasc.com\/<\/a><\/li>\n<li>Cineuropa\u00a0<a href=\"https:\/\/cineuropa.org\/\">https:\/\/cineuropa.org\/<\/a><\/li>\n<li>Empire:\u00a0<a href=\"https:\/\/www.empireonline.com\/\">https:\/\/www.empireonline.com\/<\/a><\/li>\n<li>SciFiNow:\u00a0<a href=\"https:\/\/www.scifinow.co.uk\/\">https:\/\/www.scifinow.co.uk\/<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Code: \u0395\u03a0 647 Semester: 6, 8 ECTS: 6 Course Instructor: Apostolos Kordas &nbsp; COURSE DESCRIPTION The course seeks to develop design processes and techniques in the design and development of audiovisual \u2013 non-interactive projects. Emphasis is placed on the use of audiovisual language, which, like any other language, requires both the knowledge of decoding and [&hellip;]<\/p>\n","protected":false},"author":131,"featured_media":507,"parent":223,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2511","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/pages\/2511","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/users\/131"}],"replies":[{"embeddable":true,"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/comments?post=2511"}],"version-history":[{"count":2,"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/pages\/2511\/revisions"}],"predecessor-version":[{"id":2517,"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/pages\/2511\/revisions\/2517"}],"up":[{"embeddable":true,"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/pages\/223"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/media\/507"}],"wp:attachment":[{"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/media?parent=2511"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}