{"id":2257,"date":"2024-11-07T14:26:36","date_gmt":"2024-11-07T12:26:36","guid":{"rendered":"https:\/\/cult.uth.gr\/?page_id=2257"},"modified":"2026-03-09T10:46:11","modified_gmt":"2026-03-09T08:46:11","slug":"video-art-and-post-production","status":"publish","type":"page","link":"https:\/\/cult.uth.gr\/en\/course\/video-art-and-post-production\/","title":{"rendered":"Video art and post-production"},"content":{"rendered":"

Code: \u0395\u03a1 483<\/p>\n

Semester: 4<\/p>\n

ECTS: 6<\/p>\n

Course Instructor: Maria Paschalidou<\/a><\/p>\n

Course support (spring semester 2025-2026): Orestis Pangalos<\/a><\/p>\n

 <\/p>\n

COURSE DESCRIPTION<\/h4>\n

This laboratory course examines reality as a construction through video art and its practices. It emphasizes on the digital imagery, its symbolism and fiction by analysing digitalities that compose contemporary video art and post-cinema. Students get familiar with video as a medium of artistic creation and research while are introduced to basic concepts of digital moving image and audio processing, such as non-linear storytelling, time variations, transformation and digital interventions. Through a series of practical exercises, they acquire technical skills that support the understanding of post-production, as a critical process of designing, conceptualizing, developing and visualizing concepts and artistic statements. The goal is to experiment with digital interventions through fundamental editing tools.<\/p>\n

 <\/p>\n

Course Keywords:<\/p>\n

Motion Picture Design and Capture \u2013 Digital Video Editing \u2013 Non-linear Narrative \u2013 Transformation \u2013 Video Performance \u2013 Video Art and Digital Audio \u2013 Video Essays and video poetry<\/p>\n

 <\/p>\n

SUGGESTED BIBLIOGRAPHY<\/h4>\n

Bibliography in Greek (Eudoxus: Greek service of selection and distribution of university books)<\/p>\n

    \n
  • \u0392\u03bf\u03b3\u03b9\u03b1\u03c4\u03b6\u03ae\u03c2, \u0397., \u03a7\u03b1\u03c4\u03b6\u03b7\u03bc\u03c0\u03b5\u03ba\u03b9\u03ac\u03c1\u03b7, \u03a6., Braidotti R., et al [\u03c3\u03c5\u03bb\u03bb\u03bf\u03b3\u03b9\u03ba\u03cc]. (2020) \u0395\u03b9\u03c3\u03b1\u03b3\u03c9\u03b3\u03ae \u03c3\u03c4\u03b9\u03c2 \u03c8\u03b7\u03c6\u03b9\u03b1\u03ba\u03ad\u03c2 \u03c3\u03c0\u03bf\u03c5\u03b4\u03ad\u03c2<\/em>. \u0391\u03b8\u03ae\u03bd\u03b1: \u03a1\u03bf\u03c0\u03ae. \u039a\u03c9\u03b4\u03b9\u03ba\u03cc\u03c2: [94691814].<\/li>\n
  • \u0393\u03b5\u03c9\u03c1\u03b3\u03ac\u03ba\u03b7, \u0391. (2020) \u039f \u03ae\u03c7\u03bf\u03c2 \u03c9\u03c2 \u03c5\u03bb\u03b9\u03ba\u03cc \u03c3\u03c4\u03b7 \u03c3\u03cd\u03b3\u03c7\u03c1\u03bf\u03bd\u03b7 \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae \u03b4\u03b7\u03bc\u03b9\u03bf\u03c5\u03c1\u03b3\u03af\u03b1<\/em>. \u0391\u03b8\u03ae\u03bd\u03b1: Fagotto Books. \u039a\u03c9\u03b4\u03b9\u03ba\u03cc\u03c2: [94645402].<\/li>\n
  • \u039a\u03ac\u03c1\u03bb\u03bf\u03c2, \u03a7. (2010) \u0392\u03af\u03bd\u03c4\u03b5\u03bf \u039c\u03bf\u03bd\u03c4\u03ac\u03b6. \u03a4\u03b5\u03c7\u03bd\u03bf\u03bb\u03bf\u03b3\u03af\u03b1, \u03a4\u03ad\u03c7\u03bd\u03b7 \u03ba\u03b1\u03b9 \u03a4\u03b5\u03c7\u03bd\u03b9\u03ba\u03ae<\/em>. \u0391\u03b8\u03ae\u03bd\u03b1: \u0388\u03bd\u03b1\u03c3\u03c4\u03c1\u03bf\u03bd. \u039a\u03c9\u03b4\u03b9\u03ba\u03cc\u03c2 [7756].<\/li>\n
  • \u03a3\u03b1\u03bd\u03c4\u03bf\u03c1\u03b9\u03bd\u03b1\u03af\u03bf\u03c2, \u039c. (2015) \u0391\u03c0\u03cc \u03c4\u03b9\u03c2 \u03c3\u03cd\u03bd\u03b8\u03b5\u03c4\u03b5\u03c2 \u03a4\u03ad\u03c7\u03bd\u03b5\u03c2 \u03c3\u03c4\u03b1 \u03c5\u03c0\u03b5\u03c1\u03bc\u03ad\u03c3\u03b1 \u03ba\u03b1\u03b9 \u03c4\u03bf\u03c5\u03c2 \u03bd\u03ad\u03bf\u03c5\u03c2 \u03b5\u03b9\u03ba\u03bf\u03bd\u03b9\u03ba\u03bf\u03cd\u03c2 \u2013 \u03b4\u03c5\u03bd\u03b7\u03c4\u03b9\u03ba\u03bf\u03cd\u03c2 \u03c7\u03ce\u03c1\u03bf\u03c5\u03c2. \u0388\u03bd\u03b1 \u03b5\u03b3\u03c7\u03b5\u03b9\u03c1\u03af\u03b4\u03b9\u03bf \u03b3\u03b9\u03b1 \u03c4\u03bf\u03bd \u03ba\u03b1\u03bb\u03bb\u03b9\u03c4\u03ad\u03c7\u03bd\u03b7 \u03c0\u03bf\u03c5 \u03b1\u03c3\u03c7\u03bf\u03bb\u03b5\u03af\u03c4\u03b1\u03b9 \u03bc\u03b5 \u03c4\u03b7\u03bd \u03c8\u03b7\u03c6\u03b9\u03b1\u03ba\u03ae \u03a4\u03ad\u03c7\u03bd\u03b7<\/em>. \u0391\u03b8\u03ae\u03bd\u03b1: \u03a3\u03cd\u03bd\u03b4\u03b5\u03c3\u03bc\u03bf\u03c2 \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ce\u03bd \u0391\u03ba\u03b1\u03b4\u03b7\u03bc\u03b1\u03ca\u03ba\u03ce\u03bd \u0392\u03b9\u03b2\u03bb\u03b9\u03bf\u03b8\u03b7\u03ba\u03ce\u03bd. \u039a\u03c9\u03b4\u03b9\u03ba\u03cc\u03c2: [59303612].<\/li>\n
  • Schechner, R. (2010) \u0397 \u03b8\u03b5\u03c9\u03c1\u03af\u03b1 \u03c4\u03b7\u03c2 \u03b5\u03c0\u03b9\u03c4\u03ad\u03bb\u03b5\u03c3\u03b7\u03c2<\/em>. \u0391\u03b8\u03ae\u03bd\u03b1: \u03a4\u03b5\u03bb\u03ad\u03b8\u03c1\u03b9\u03bf. \u039a\u03c9\u03b4\u03b9\u03ba\u03cc\u03c2: [41957383].<\/li>\n<\/ul>\n

    Bibliography in English<\/p>\n

      \n
    • Betancourt M. (2017) Semiotics and Title Sequences<\/em>. New York: Routledge.<\/li>\n
    • King, H. (2015) Virtual Memory: Time-Based Art and the Dream of Digitality<\/em>. 1st edition. Durham, North Carolina: Duke University Press Books.<\/li>\n
    • Strutt, D. (2019) The Digital Image and Reality: Affect, Metaphysics and Post-Cinema<\/em>. 1st edition. Amsterdam: Amsterdam University Press.<\/li>\n<\/ul>\n

      Journals<\/p>\n

        \n
      • Digital Creativity<\/li>\n
      • Leonardo<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"

        Code: \u0395\u03a1 483 Semester: 4 ECTS: 6 Course Instructor: Maria Paschalidou Course support (spring semester 2025-2026): Orestis Pangalos   COURSE DESCRIPTION This laboratory course examines reality as a construction through video art and its practices. It emphasizes on the digital imagery, its symbolism and fiction by analysing digitalities that compose contemporary video art and post-cinema. […]<\/p>\n","protected":false},"author":131,"featured_media":507,"parent":223,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2257","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/pages\/2257","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/users\/131"}],"replies":[{"embeddable":true,"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/comments?post=2257"}],"version-history":[{"count":5,"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/pages\/2257\/revisions"}],"predecessor-version":[{"id":5138,"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/pages\/2257\/revisions\/5138"}],"up":[{"embeddable":true,"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/pages\/223"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/media\/507"}],"wp:attachment":[{"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/media?parent=2257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}