{"id":2130,"date":"2024-11-07T10:51:07","date_gmt":"2024-11-07T08:51:07","guid":{"rendered":"https:\/\/cult.uth.gr\/?page_id=2130"},"modified":"2026-03-09T10:27:56","modified_gmt":"2026-03-09T08:27:56","slug":"culture-economy-and-creative-industries","status":"publish","type":"page","link":"https:\/\/cult.uth.gr\/en\/course\/culture-economy-and-creative-industries\/","title":{"rendered":"Culture, Economy, and Creative Industries"},"content":{"rendered":"<p>Code: \u03a5\u03a0 121<\/p>\n<p>Semester: 2<\/p>\n<p>ECTS: 5<\/p>\n<p>Adjunct Lecturer (spring semester 2025-2026): <a href=\"https:\/\/cult.uth.gr\/en\/person\/krystallia-markaki\/\">Krystallia Markaki<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4><\/h4>\n<h4>COURSE DESCRIPTION<\/h4>\n<p><span class=\"elementor-drop-cap\"><span class=\"elementor-drop-cap-letter\">T<\/span><\/span>he course explores the economic aspects of culture as they emerge through cultural and creative industries. It acquaints students with the different cultural and creative sectors: television and radio, music and film production, advertisements, museums and libraries, software production, design, etc. Analyzing the products of these industries as commodities with symbolic and social power, it asks critical questions that link culture to entrepreneurship, creativity, innovation, technology and politics.<\/p>\n<p>&nbsp;<\/p>\n<h4>SUGGESTED BIBLIOGRAPHY<\/h4>\n<p>Bibliography in Greek<\/p>\n<ul>\n<li>\u0392\u03b1\u03c3\u03af\u03bb\u03b7\u03c2 \u0391\u03c5\u03b4\u03af\u03ba\u03bf\u03c2,\u00a0<em>\u039f\u03b9 \u03c0\u03bf\u03bb\u03b9\u03c4\u03b9\u03c3\u03bc\u03b9\u03ba\u03ad\u03c2 \u03ba\u03b1\u03b9 \u03b4\u03b7\u03bc\u03b9\u03bf\u03c5\u03c1\u03b3\u03b9\u03ba\u03ad\u03c2 \u03b2\u03b9\u03bf\u03bc\u03b7\u03c7\u03b1\u03bd\u03af\u03b5\u03c2 \u03c3\u03c4\u03b7\u03bd \u0395\u03bb\u03bb\u03ac\u03b4\u03b1<\/em>, \u03b5\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2 \u0395\u03c0\u03af\u03ba\u03b5\u03bd\u03c4\u03c1\u03bf, \u0391\u03b8\u03ae\u03bd\u03b1 2012. (\u039a\u03c9\u03b4\u03b9\u03ba\u03cc\u03c2 \u0392\u03b9\u03b2\u03bb\u03af\u03bf\u03c5 \u03c3\u03c4\u03bf\u03bd \u0395\u03cd\u03b4\u03bf\u03be\u03bf: 41955459)<\/li>\n<li>\u039d. \u0392\u03b5\u03c1\u03bd\u03af\u03ba\u03bf\u03c2, \u03a3 \u0394\u03b1\u03c3\u03ba\u03b1\u03bb\u03bf\u03c0\u03bf\u03cd\u03bb\u03bf\u03c5, \u03a6. \u039c\u03c0\u03b1\u03bd\u03c4\u03b9\u03bc\u03b1\u03c1\u03bf\u03cd\u03b4\u03b7\u03c2, \u039d. \u039c\u03c0\u03bf\u03c5\u03bc\u03c0\u03ac\u03c1\u03b7\u03c2, \u0394. \u03a0\u03b1\u03c0\u03b1\u03b3\u03b5\u03c9\u03c1\u03b3\u03af\u03bf\u03c5 (\u03b5\u03c0\u03b9\u03bc.),\u00a0<em>\u03a0\u03bf\u03bb\u03b9\u03c4\u03b9\u03c3\u03c4\u03b9\u03ba\u03ad\u03c2 \u03b2\u03b9\u03bf\u03bc\u03b7\u03c7\u03b1\u03bd\u03af\u03b5\u03c2<\/em>, \u03b5\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2 \u039a\u03c1\u03b9\u03c4\u03b9\u03ba\u03ae, \u0391\u03b8\u03ae\u03bd\u03b1 2005. (\u039a\u03c9\u03b4\u03b9\u03ba\u03cc\u03c2 \u0392\u03b9\u03b2\u03bb\u03af\u03bf\u03c5 \u03c3\u03c4\u03bf\u03bd \u0395\u03cd\u03b4\u03bf\u03be\u03bf: 11751)<\/li>\n<li>\u03a6\u03b9\u03bb\u03ae\u03bc\u03c9\u03bd \u039c\u03c0\u03b1\u03bd\u03c4\u03b9\u03bc\u03b1\u03c1\u03bf\u03cd\u03b4\u03b7\u03c2,\u00a0<em>\u03a0\u03bf\u03bb\u03b9\u03c4\u03b9\u03c3\u03c4\u03b9\u03ba\u03ae \u03b5\u03c0\u03b9\u03ba\u03bf\u03b9\u03bd\u03c9\u03bd\u03af\u03b1. \u039f\u03c1\u03b3\u03b1\u03bd\u03b9\u03c3\u03bc\u03bf\u03af, \u03b8\u03b5\u03c9\u03c1\u03af\u03b5\u03c2, \u03bc\u03ad\u03c3\u03b1<\/em>, \u039a\u03c1\u03b9\u03c4\u03b9\u03ba\u03ae 2011<\/li>\n<li>Craig Prichard, \u00abCreative selves? Critically reading \u2018creativity\u2019 in management discourse\u00bb,\u00a0<em>Creativity and Innovation Management<\/em>\u00a02002, 11(4), 265-276.<\/li>\n<li>Richard Florida,\u00a0<em>The Rise of the Creative Class: And how It\u2019s Transforming Work, Leisure, Community, and Everyday Life<\/em>, Basic Books New York, \u039d\u03ad\u03b1 \u03a5\u03cc\u03c1\u03ba\u03b7 2002, 1\u201317 (Ch. 1: The transformation of everyday life).<\/li>\n<li>Robert J. Sternberg, \u00abThe Nature of Creativity\u00bb,\u00a0<em>Creativity Research Journal<\/em>\u00a02006, Vol. 18, No. 1, 87\u201398.<\/li>\n<li>Keith Negus, Michael Pickering, \u00abCreativity and cultural production\u00bb,\u00a0<em>International Journal of Cultural Policy<\/em>\u00a02000, 6(2): 259-282.<\/li>\n<li>Chris Bilton, Ruth Leary, \u00abWhat can managers do for creativity? Brokering creativity in the creative industries\u00bb,\u00a0<em>International Journal of Cultural Policy<\/em>\u00a02002, 8 (1), 49-64.<\/li>\n<\/ul>\n<p>Journals<\/p>\n<ul>\n<li>Creative Industries Journal<\/li>\n<li>Creativity Research Journal<\/li>\n<li>International Journal of Cultural Policy<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Code: \u03a5\u03a0 121 Semester: 2 ECTS: 5 Adjunct Lecturer (spring semester 2025-2026): Krystallia Markaki &nbsp; COURSE DESCRIPTION The course explores the economic aspects of culture as they emerge through cultural and creative industries. It acquaints students with the different cultural and creative sectors: television and radio, music and film production, advertisements, museums and libraries, software [&hellip;]<\/p>\n","protected":false},"author":131,"featured_media":507,"parent":223,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2130","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/pages\/2130","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/users\/131"}],"replies":[{"embeddable":true,"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/comments?post=2130"}],"version-history":[{"count":6,"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/pages\/2130\/revisions"}],"predecessor-version":[{"id":5127,"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/pages\/2130\/revisions\/5127"}],"up":[{"embeddable":true,"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/pages\/223"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/media\/507"}],"wp:attachment":[{"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/media?parent=2130"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}