{"id":1903,"date":"2024-11-06T15:40:32","date_gmt":"2024-11-06T13:40:32","guid":{"rendered":"https:\/\/cult.uth.gr\/?page_id=1903"},"modified":"2025-09-23T10:36:59","modified_gmt":"2025-09-23T07:36:59","slug":"courses","status":"publish","type":"page","link":"https:\/\/cult.uth.gr\/en\/studies\/undergraduate-studies\/courses\/","title":{"rendered":"Courses"},"content":{"rendered":"

Core Courses (mandatory)<\/h3>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
CODE<\/th>\nCOURSE NAME<\/th>\nECTS<\/th>\nSEMESTER<\/th>\n<\/tr>\n
\u03a5\u03a0111<\/td>\nCultural Theory<\/a><\/td>\n5<\/td>\n1<\/td>\n<\/tr>\n
\u03a5\u03a0121<\/td>\nHistory of Art<\/a><\/td>\n5<\/td>\n1<\/td>\n<\/tr>\n
\u03a5\u03a0212<\/td>\nCulture, Economy, and Creative Industries<\/a><\/td>\n5<\/td>\n2<\/td>\n<\/tr>\n
\u03a5\u03a0222<\/td>\nTheory of Art<\/a><\/td>\n5<\/td>\n2<\/td>\n<\/tr>\n
\u03a5\u03a0313<\/td>\nEthnography, Culture, and Representations: Introduction to Anthropology<\/a><\/td>\n5<\/td>\n3<\/td>\n<\/tr>\n
\u03a5\u03a0391<\/td>\nMedia Theory and Aesthetics<\/a><\/td>\n5<\/td>\n3<\/td>\n<\/tr>\n
\u03a5\u03a0431<\/td>\nCurating: History and Theories<\/a><\/td>\n5<\/td>\n4<\/td>\n<\/tr>\n
\u03a5\u03a0451<\/td>\nCulture, Arts and Education (\u03a0\u0395-1)<\/a><\/td>\n5<\/td>\n4<\/td>\n<\/tr>\n
\u03a5\u03a0532<\/td>\nExhibitions Organization and Management<\/a><\/td>\n6<\/td>\n5<\/td>\n<\/tr>\n
\u03a5\u03a0552<\/td>\nAcademic Paper Writing<\/a><\/td>\n6<\/td>\n5<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Laboratory Courses (mandatory)<\/h3>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
CODE<\/th>\nCOURSE NAME<\/th>\nECTS<\/th>\nSEMESTER<\/th>\n<\/tr>\n
\u0395\u03a1141<\/td>\nIntroduction to Design, Creative Media and Artistic Practices<\/a><\/td>\n6<\/td>\n1<\/td>\n<\/tr>\n
\u0395\u03a1181<\/td>\nAudiovisual Arts and Digital Photographic Image<\/a><\/td>\n6<\/td>\n1<\/td>\n<\/tr>\n
\u0395\u03a1242<\/td>\nNarratives and Industrial Design<\/a><\/td>\n6<\/td>\n2<\/td>\n<\/tr>\n
\u0395\u03a1282<\/td>\nDigital Humanities: Concepts and Practices<\/a><\/td>\n6<\/td>\n2<\/td>\n<\/tr>\n
\u0395\u03a1323<\/td>\nNarratives and Performances I<\/a><\/td>\n6<\/td>\n3<\/td>\n<\/tr>\n
\u0395\u03a1343<\/td>\nNarratives and Post-Industrial Design<\/a><\/td>\n6<\/td>\n3<\/td>\n<\/tr>\n
\u0395\u03a1444<\/td>\nDesign, Creative Media and Artistic Practices<\/a><\/td>\n6<\/td>\n4<\/td>\n<\/tr>\n
\u0395\u03a1483<\/td>\nVideo art and post-production<\/a><\/td>\n6<\/td>\n4<\/td>\n<\/tr>\n
\u0395\u03a1584<\/td>\nCultural Software: Conceptual and Content Design<\/a><\/td>\n6<\/td>\n5<\/td>\n<\/tr>\n
\u0395\u03a1624<\/td>\nNarratives and Performances II<\/a><\/td>\n6<\/td>\n6<\/td>\n<\/tr>\n
\u0395\u03a1633<\/td>\nCuratorial Practices and Visual arts<\/a><\/td>\n6<\/td>\n6<\/td>\n<\/tr>\n
\u0395\u03a1748<\/td>\nVisual Arts: Research and Creation<\/a><\/td>\n6<\/td>\n7<\/td>\n<\/tr>\n
\u0395\u03a1785<\/td>\nCulture and Communities: Studio Class in Visual Ethnography<\/a><\/td>\n6<\/td>\n7<\/td>\n<\/tr>\n
\u0395\u03a1853<\/td>\nINTERNSHIP<\/a><\/td>\n12<\/td>\n8<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Foreign language Courses (mandatory)<\/h3>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
CODE<\/th>\nCOURSE NAME<\/th>\nECTS<\/th>\nSEMESTER<\/th>\n<\/tr>\n
\u03a5\u03a0170-1<\/td>\nForeign Language \u0399 (English)<\/td>\n3<\/td>\n1<\/td>\n<\/tr>\n
\u03a5\u03a0170-2<\/td>\nForeign Language \u0399 (French)<\/td>\n3<\/td>\n1<\/td>\n<\/tr>\n
\u03a5\u03a0170-3<\/td>\nForeign Language \u0399 (\u0399\u03a4\u0391\u039b\u0399\u039a\u0391)<\/td>\n3<\/td>\n1<\/td>\n<\/tr>\n
\u03a5\u03a0170-4<\/td>\nForeign Language \u0399 (\u0393\u0395\u03a1\u039c\u0391\u039d\u0399\u039a\u0391)<\/td>\n3<\/td>\n1<\/td>\n<\/tr>\n
\u03a5\u03a0270-1<\/td>\nForeign Language \u0399\u0399 (English)<\/td>\n3<\/td>\n2<\/td>\n<\/tr>\n
\u03a5\u03a0270-2<\/td>\nForeign Language \u0399\u0399 (French)<\/td>\n3<\/td>\n2<\/td>\n<\/tr>\n
\u03a5\u03a0270-3<\/td>\nForeign Language \u0399\u0399 (Italian)<\/td>\n3<\/td>\n2<\/td>\n<\/tr>\n
\u03a5\u03a0270-4<\/td>\nForeign Language \u0399\u0399 (German)<\/td>\n3<\/td>\n2<\/td>\n<\/tr>\n
\u03a5\u03a0370-1<\/td>\nForeign Language \u0399\u0399\u0399 (English)<\/td>\n3<\/td>\n3<\/td>\n<\/tr>\n
\u03a5\u03a0370-2<\/td>\nForeign Language \u0399\u0399\u0399 (French)<\/td>\n3<\/td>\n3<\/td>\n<\/tr>\n
\u03a5\u03a0370-3<\/td>\nForeign Language \u0399\u0399\u0399 (Italian)<\/td>\n3<\/td>\n3<\/td>\n<\/tr>\n
\u03a5\u03a0370-4<\/td>\nForeign Language \u0399\u0399\u0399 (German)<\/td>\n3<\/td>\n3<\/td>\n<\/tr>\n
\u03a5\u03a0470-1<\/td>\nForeign Language \u0399V (English)<\/td>\n3<\/td>\n4<\/td>\n<\/tr>\n
\u03a5\u03a0470-2<\/td>\nForeign Language \u0399V (French)<\/td>\n3<\/td>\n4<\/td>\n<\/tr>\n
\u03a5\u03a0470-3<\/td>\nForeign Language \u0399V (Italian)<\/td>\n3<\/td>\n4<\/td>\n<\/tr>\n
\u03a5\u03a0470-4<\/td>\nForeign Language \u0399V (German)<\/td>\n3<\/td>\n4<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Elective Courses<\/h3>\n
    \n
  • Courses from Group A can be selected each semester during the period of the four (4) first semesters \u2013 (total 20 ECTS)<\/li>\n
  • Courses from Group B are selected as follows: 2 courses in the 5th semester, 3 courses in the 6th semester, 3 courses in the 7th semester, and 3 courses or Thesis in the 8th semester- (total 66 ECTS)<\/li>\n
  • Students have the option to select elective courses from other departments within the University of Thessaly, provided that these courses have been approved by their respective department.<\/li>\n<\/ul>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
    CODE<\/strong><\/th>\nCOURSE NAME<\/strong><\/th>\nGROUP<\/strong><\/th>\nECTS<\/strong><\/th>\nSEMESTER<\/strong><\/th>\n<\/tr>\n
    \u0395\u03a0114<\/td>\nArchitecture and Urban Space<\/a><\/td>\n\u0391<\/td>\n5<\/td>\n1-3<\/td>\n<\/tr>\n
    \u0395\u03a0115<\/td>\nCultural Politics and Critical Heritage<\/a><\/td>\n\u0391<\/td>\n5<\/td>\n1-3<\/td>\n<\/tr>\n
    \u0395\u03a0125<\/td>\nNarrative Techniques<\/a><\/td>\n\u0391<\/td>\n5<\/td>\n1-3<\/td>\n<\/tr>\n
    \u0395\u03a0216<\/td>\nVisual Culture<\/a><\/td>\n\u0391<\/td>\n5<\/td>\n2-4<\/td>\n<\/tr>\n
    \u0395\u03a0226<\/td>\nPerformance and Literature<\/a><\/td>\n\u0391<\/td>\n5<\/td>\n2-4<\/td>\n<\/tr>\n
    \u0395\u03a0234<\/td>\nMuseology and Exhibition Practices<\/a><\/td>\n\u0391<\/td>\n5<\/td>\n2-4<\/td>\n<\/tr>\n
    \u0395\u03a0517<\/td>\nPostindustrial Societies and Cultural Production<\/a><\/td>\n\u0392<\/td>\n6<\/td>\n5-7<\/td>\n<\/tr>\n
    \u0395\u03a0527<\/td>\nSpecific Topics in Performance Studies<\/a><\/td>\n\u0392<\/td>\n6<\/td>\n5-7<\/td>\n<\/tr>\n
    \u0395\u03a0535<\/td>\nResearch Methodologies and Archives<\/a><\/td>\n\u0392<\/td>\n6<\/td>\n5-7<\/td>\n<\/tr>\n
    \u0395\u03a0545<\/td>\nStaged Image in Audiovisual Arts<\/a><\/td>\n\u0392<\/td>\n6<\/td>\n5-7<\/td>\n<\/tr>\n
    \u0395\u03a0546<\/td>\nBrand Identity Design<\/a><\/td>\n\u0392<\/td>\n6<\/td>\n5-7<\/td>\n<\/tr>\n
    \u0395\u03a0554<\/td>\nCreativity and Educational Practice (\u03a0E-2)<\/a><\/td>\n\u0392<\/td>\n6<\/td>\n5-7<\/td>\n<\/tr>\n
    \u0395\u03a0561<\/td>\nIntroduction to Entrepreneurship<\/a><\/td>\n\u0392<\/td>\n6<\/td>\n5-7<\/td>\n<\/tr>\n
    \u0395\u03a0586<\/td>\nDigital Exhibits and Databases for Memory Institutions (GLAM)<\/a><\/td>\n\u0392<\/td>\n6<\/td>\n5-7<\/td>\n<\/tr>\n
    \u0395\u03a0592<\/td>\nPublishing: Theory, History, Mediums, Design<\/a><\/td>\n\u0392<\/td>\n6<\/td>\n5-7<\/td>\n<\/tr>\n
    \u0395\u03a0593<\/td>\nMoral Issues, Legal Dimensions, Copyrights<\/a><\/td>\n\u0392<\/td>\n6<\/td>\n5-7<\/td>\n<\/tr>\n
    \u0395\u03a0618<\/td>\nIdentities and Cultural Production<\/a><\/td>\n\u0392<\/td>\n6<\/td>\n6-8<\/td>\n<\/tr>\n
    \u0395\u03a0619<\/td>\nAnthropology of Tourism<\/a><\/td>\n\u0392<\/td>\n6<\/td>\n6-8<\/td>\n<\/tr>\n
    \u0395\u03a0628<\/td>\nSocially Engaged Art<\/a><\/td>\n\u0392<\/td>\n6<\/td>\n6-8<\/td>\n<\/tr>\n
    \u0395\u03a0647<\/td>\nFundamentals of Cinematography<\/a><\/td>\n\u0392<\/td>\n6<\/td>\n6-8<\/td>\n<\/tr>\n
    \u0395\u03a0655<\/td>\nCultural Mediations and Paedagogical Practices (\u03a0\u0395-3)<\/a><\/td>\n\u0392<\/td>\n6<\/td>\n6-8<\/td>\n<\/tr>\n
    \u0395\u03a0656<\/td>\nCritical Approaches to Art Education (\u03a0E-4)<\/a><\/td>\n\u0392<\/td>\n6<\/td>\n6-8<\/td>\n<\/tr>\n
    \u0395\u03a0662<\/td>\nDevelopment of Business Plans<\/a><\/td>\n\u0392<\/td>\n6<\/td>\n6<\/td>\n<\/tr>\n
    \u0395\u03a0663<\/td>\nActivist solidarity routes in social, cultural, and pedagogical environments<\/a><\/td>\n\u0392<\/td>\n6<\/td>\n6-8<\/td>\n<\/tr>\n
    \u0395\u03a0687<\/td>\nCulture and Digital Media<\/a><\/td>\n\u0392<\/td>\n6<\/td>\n6-8<\/td>\n<\/tr>\n
    \u0395\u03a0688<\/td>\nSound Studies: Concepts and Practices<\/a><\/td>\n\u0392<\/td>\n6<\/td>\n6-8<\/td>\n<\/tr>\n
    \u0395\u03a0689<\/td>\nExpanded Uses of Audiovisual Media<\/a><\/td>\n\u0392<\/td>\n6<\/td>\n6-8<\/td>\n<\/tr>\n
    \u0395\u03a0694<\/td>\nCommunication and Media Studies<\/a><\/td>\n\u0392<\/td>\n6<\/td>\n6-8<\/td>\n<\/tr>\n
    \u0395\u03a0757<\/td>\nEducational Planning – Practical Teaching Exercises (\u03a0\u0395-5)<\/a><\/td>\n\u0392<\/td>\n6<\/td>\n7<\/td>\n<\/tr>\n
    \u0395\u03a0858<\/td>\nThesis<\/a><\/td>\n<\/td>\n18<\/td>\n8<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

    Core Courses (mandatory) CODE COURSE NAME ECTS SEMESTER \u03a5\u03a0111 Cultural Theory 5 1 \u03a5\u03a0121 History of Art 5 1 \u03a5\u03a0212 Culture, Economy, and Creative Industries 5 2 \u03a5\u03a0222 Theory of Art 5 2 \u03a5\u03a0313 Ethnography, Culture, and Representations: Introduction to Anthropology 5 3 \u03a5\u03a0391 Media Theory and Aesthetics 5 3 \u03a5\u03a0431 Curating: History and Theories […]<\/p>\n","protected":false},"author":131,"featured_media":507,"parent":1832,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-1903","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/pages\/1903","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/users\/131"}],"replies":[{"embeddable":true,"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/comments?post=1903"}],"version-history":[{"count":51,"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/pages\/1903\/revisions"}],"predecessor-version":[{"id":4212,"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/pages\/1903\/revisions\/4212"}],"up":[{"embeddable":true,"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/pages\/1832"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/media\/507"}],"wp:attachment":[{"href":"https:\/\/cult.uth.gr\/en\/wp-json\/wp\/v2\/media?parent=1903"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}